The Front Window Program
July 1, 2024
War and Witness, Jon Tsoi
October 24, 2024
WhiteBox presents TerraTextl, a captivating exhibition that invites us to explore the rich tapestry of political and aesthetic approaches embodied in the works of a diverse group of artists. These singular creators delve into contemporary practices involving textiles, fibers, ceramics, and patterns, aiming to envision how these ancient mediums resonate with our present context. Their innovative works illuminate how textiles and ceramics can contribute uniquely to creative methodologies and modes of signification, opening new dialogues about their historical significance and contemporary relevance.
Federico Solmi
The Indulgent Father - George Washington, 2023
Glazed ceramic, enamel paint
34.25 x 27.5 x 19.5 in
Textiles and ceramics are not merely decorative or functional; they play vital roles in our daily lives indoors and outdoors. While they may seem vastly different at first glance, these materials share much in common, engaging us through a similar tactile aesthetic language that oscillates between the hard and the soft, the unwieldy and the pliable. The sculpturally layered nature of textiles conveys warmth and flexibility, starkly contrasting with the fragility of ceramics, which are crafted from soft clay or loam. Together, they reveal a broad spectrum of meanings laden with ambiguity and a nuanced dialogue that, at times, blurs traditional gender connotations.
Rob Strati
We the People, 2024
Broken plate, ink on paper
25 x 25 x 2 in
Cecile Chong
Cosechando / Harvesting, Best offer, Sacred Duck, Not Your Year, Something in My Eyes, Mouse Patrol, Passing on, Should Bottle That (in Blue), Thangka, Dressing up, 2019 - 2022
Encaustic and mixed media on panel and on wood, yarn ribbon, utility cord, belts, fabric, sequins, pompoms
Variable dimensions
Glen Taylor
Still Saving the Pain, 2023
Vintage platter, scissors and cotton rope
15 x 23 x 4 in
Through their varied textures, shapes, and cultural implications, textiles and ceramics offer a powerful platform for examining global trade dynamics and reevaluating colonial legacies. They compel us to reconsider our relationship with nature and human production, inviting reflections on themes such as feminism, corporeality, and evolving gender roles. The versatility of these mediums equips them to address contemporary issues, revealing layers of meaning that resonate deeply with current societal challenges in a technologically changing world. Modern systems like the Internet and programming can be seen as a type of 'fabric,' intertwining threads of connectivity that mirror the physical and metaphorical relationships established by textiles and ceramics, not forgetting that the loom was the basis of the contemporary computer.
David B. Smith
Playtime, 2023
Artist-produced, found and purchased textiles, polyester stuffing, thread
50 x 70 x 5 in
Michael Pribich
Blood Hands, 2020
Cotton knit gloves, steel armature, hardware
28 x 5 x 12 in
Peter Burr
Architecture Machine 10, 2024
Video
Infinite Duration
Anna McNeary
Timeline 2, 2023
Hand-dyed, screen printed and sewn cotton
70 x 45 in
The exhibition draws inspiration from the avant-garde movements of the early 20th century, during which contemporary artists began to appropriate traditional techniques such as embroidery, stitching, knotting, weaving, and pottery-making. This appropriation serves as a subversion of existing disciplinary and material boundaries, breathing new life into time-honored practices. Textiles, traditionally associated with warmth and flexibility, and ceramics, embodying a cool fragility, together evoke an aesthetic dialogue that shifts between various states—hard, soft, unwieldy, and flowing.
The corporeal and time-based qualities of these materials connect deeply with historical and cultural antecedents, fostering transformations in affect and meaning. This connection suggests innovative models for social coexistence and interaction, challenging the entrenched hierarchies that persist between art and craft. Moreover, these works prompt us to reevaluate habitual markers of gender, class, and ethnicity, positioning themselves as poignant examples of political art that speaks to our time.
Chin Chih Yang
123 PollutionSolution, 2023
Cut and stripped recycled beverage aluminium cans
Variable dimensions
Jelena Micić
Untitled, 2023
Plastic grip, cotton buds
7.5 x 7.5 in
Kathie Halfin
Despite the Gloom, 2023
Hand-dyed and hand-span paper, sisal rope
40 x 40 x 3 in
Esperanza Cortés
Colobri, 2024
Ceramic, crystal beads, embroidery on encaustic
24 x 30 x 4 in
TerraTextl is an invitation to rethink the very fabric of our creative practices and the narratives they weave. It encourages us to explore the intersections of art, history, technology, and contemporary societal issues. As we engage with these thought-provoking works, we are invited to consider the power of textiles and ceramics to forge connections and meanings that resonate across time and culture.
Andrea Rey
Three Words, 2024
Needle felting on photographic printing on fabric (thread, human hair from two different people, lace, pearls, industrial felt)
3 pieces, 13.4 x 13.4 in
Elie Porter Trubert
Walking within: a feminist archive, 2023
Mixed media
Variable dimensions
Jessica Ramirez
Textile Narratives Serie #2, 2023
Tapestry
30 x 66 in
