Analogously, contemporary art and its public seem to be suffering from their own particular strains of political and social indifference. This acquiescence undermines contemporary art’s radical potential and is one of the many points of contention that the exhibition entitled Theater of Cruelty rubs up against. The artists in the exhibition engage contemporary art’s conventions similar in spirit to Artaud’s vilification of theater’s conservatism; their intent is to jolt us from our conformity in order that we may think more critically about the world we live in. They individually approach this through diverse themes formally articulated via a plethora of media including video, painting, photography, sculpture, works-on-paper, audio-work, performance and installation.