Tag Archives: time-based

In-Between program: Let the Bidding Begin & Sonic Sea

WhiteBox presents In-between program series Let the Bidding Begin & Sonic Sea   Tuesday, May 31 | 6 – 9pm Let the Bidding Begin   Giovanna Olmos | Johan Wahlstrom | Li Guangming Three act performance inspired from the current art… Continue reading

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Whitebox at SELECT Fair NY

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Whitebox Art Center at SELECT Fair NY
May 13th -17th, 2015

General Hours
May 14 & 15 |  2 -10pm
May 16th | 12-10pm
May 17th | 12-6pm

Whitebox Art Center is pleased to present at SELECT Fair, Arial Allusions by Andriy Bazyuta featured on the rooftop with “You Are Here” Festival (aka The Maze ) and Ex of IN exhibition by Steven Holl in booth 206.

Arial Allusions | Andriy Bazyuta

Arial Allusions is an interactive, multilayered 3D dual projection work engaging visitors-as-participants through the use of ‘Kinect’ 3D sensors akin to a dendrological ideation. Beaming the moving audience from high up figure by figure will propel, in real time, the illusion of an amended architectural space where human sounds get converted into analogous geometrical images using as foil the ‘maze’ construct provided by Now You See Collective. Likewise, classic New York City rooftop elements such as the water tower, gazebos, retaining low walls, and the tar floor will become screening fields.

Figures entering the rooftop, upon coming in contact with sensors, will become active participants, their body shapes surrounded by an unlimited number of projected geometrical moving visual patterns caused by their transposed innate sounds. These sounds will be gleaned, processed, and visually mapped into constant oscillating images thrown upon various architectures surrounding the audience. The larger the crowd and the louder the sound propelled, the shakier the projected vibrating images will become, reaching a super saturated point turning into a sea of electrifying, rambling and shattering images.

Projections will be sourced from two asymmetrical perspective points. The one situated high up on the water tower will track and trap shifting bodies from above enclosing their figures into a single, vertiginously colored micro-environment which upon being approached by another body, the second low lying projector will, in synchronicity, linearly surround both images from its binary position in a dramatic overlap.

Ex of IN  | Steven Holl
Text of Yehuda Saffran.

Link to Steven Holl Architects

When geometry is no longer Euclidian we are thrown into a limitless world of the imagination. Conjugating cubic forms with spheres increases the infinite possibility to see some such configurations as a plastic reality. But a rational process does not guaranty the right ratio. Provided we are able to think, at the same time, that what we are seeing are not geometry but something else. These are some of the considerations we are obliged to entertain as we are engaged in the nature of the challenge posed to us in these experiments. These grouping and re-grouping of similar patterns is not a simple operation as it may appear. We are obliged to take the greatest care in employing harmonic ratios not only in a single form, but also in the relation of one form to each other, and it is this demand for the right ratio which could be in the centre of our conception of architecture, ultimately: “Una cosa mentale”.

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WHITE VOX – The Resonance of Space

WhiteboxLab SoundLounge WhiteVox

WhiteboxLab > SoundLounge presents

WHITE VOX – The Resonance of Space
Multi-media sound and visual performance featuring NYU Steinhardt woodwind players

Saturday February 21st 2015 |  5:30pm to 7:30pm

This workshop and performance directed by NYU Faculty/Oboist, Matt Sullivan and painter, Ken Cro-Ken, will begin at sunset (5:34 PM EST) and end at “Astro Twilight Set” 7:06 PM.

NYU Steinhardt woodwind players will explore the sound of the unique urban-industrial architecture of Whitebox Art Center-street level space-utilizing the recorded sonic resonance of the planets in our solar system using as foil, a free improvisation to the works of Bach, Varese and other composers.

Following, there will be refreshments and a discussion and experimentation among participants and audience.

On Power and Secrecy | LitLounge Sundays Salon > Stand Up Philosophy

On Power and Secrecy Sundays, December 14 & 28 | 3pm – 5 pm Power: the capacity to act, an energetic principle. The most basic principle that denotes an ability to affect and to be affected by something or someone.… Continue reading

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CLICK CLICK CLICK: Screening

Whitebox_CLICKCLICKCLICK 2014_Sabrina Ratté

 Whitebox Art Center presents

Click. Click. Click. Copy. Paste. Drag. Drop. These are the new gestures of digital image making. Click Click Click is a survey of contemporary digital moving image practices that span GIFs, augmented performances, green screen keying, collage, appropriation, Processing, 3D renders and more.

Artists in the screening: Morehshin Allahyari, Claudia Bitran, Hannah Black, Gaby Cepeda and Adriana Minoliti, Jennifer Chan, Jennie Cole, Claire Evans, Dafna Ganani, Geraldine Juárez, Nicole Killian, Claudia Maté, Raquel Meyers, Lorna Mills, Eva Papamargariti, Sabrina Ratté, Tessa Siddle, Giselle Zatonyl

Nicole Killian, Move It, 2013, 30 sec.

Move It is an excerpt from an ongoing investigation into getting the crowd pumped up and moving.

Lorna Mills, Jump Rope, 2011, GIF

Lorna Mills channels and trolls the internet through her assemblage GIFs. Searching the far reaching corners of the world wide web, Mills pulls out the most peculiar, inane, and baffling imagery and then recontextualizes it into her own carefully crafted compositions.

Claudia Bitran, The Zone: Action, 2013, 3:17 min

The Zone is a series of three trailers for movies that do not exist: a Korean horror film, a Latino action film, and a French drama film. In the Latino action trailer, I perform as Macarena de las Heras, a strong and determined woman who has to go through different adventures in order to enter “The Zone.” She rides motorcycles, fights gangsters, tries to get information from the gatas, and shoots guns while running through the desert and making out with hot guys.

Gaby Cepeda and Adriana Minoliti, Conspirativas (series), 2013, GIF

These collaborative images capture an intersection between the artists’ loving interrogations of celebrity culture (Cepeda) and pornography (Minoliti). The result is an image that tackles female sexuality in its vicissitudes.

Claudia Maté, Fill Shapes, 2012, 1:54 min.

Fill Shapes uses Processing and After Effects to make squares and circles dance across the screen in this brightly colored geometric fantasy.

Lorna Mills, Garden Variety (series), 2013, GIF

Lorna Mills, Stress Relief, 2011, GIF

Eva Papamargariti, RandomAccessData, 2014, 4:50 min.

RandomAccessData is a parallel visual and verbal narration between references; it is a stream of information that creates a tag cloud based on random thoughts about post- internet art, radical utopian groups of the ’60s, today’s virtual field, the definitive role of searching and tagging inside the cyberspace, terms like distribution and reproduction of image, constant data flow, internet immersion, real ID vs cyber ID and the notion of auto generated content.

Dafna Ganani, I Dream of I Dream of Jennie, 2013, 3:42 min.

I Dream of I Dream of Jennie is a mediated performance by the artist Dafna Ganani. It references the 70’s American TV series I Dream of Jeannie and uses glitched images of copyrights licenses, biopunked Barbara Eden in her Jeannie costume, dolphins, BIOS homepage to propose a cybernetics fantasy: beings with both organic and cybernetic parts.

Gaby Cepeda and Adriana Minoliti, Conspirativas (series), 2013, GIFs

Hannah Black, Intensive Care/Hot New Track, 2013, 5:36 min

Remixed fragments of what’s allowed to appear on the surface of the world: Rihanna/Chris Brown, US/Iraq, blackness/whiteness, pain/pleasure, money/body. “Love and shame are the theory and the practice.”

Lorna Mills, Garden Variety (series), 2013, GIF

Geraldine Juárez, Love Not Money, 2009, 1:06 min

In 2009, months after the stock market meltdown, i created a personal stock market to track my assets: desires, work, routines, expectations and emotions – and how the way i valued them felt closer to death, money or love.

The video is the output of four weeks of emotional capitalism, where my assets were collected in a notebook and mapped and visualized originally in Processing.

Claire Evans, Digital Decay: Meditation/Disintegration, 2011, 1:50 min

Meditation/Disintegration is an animation of individual video frames saved in incrementally lower file formats hundreds and hundreds of times. Where is the line at which compression ceases to preserve information entirely? The digital image washes away on the tide of its own preservation. The beach ball is the third eye.

Lorna Mills, Splode (series), 2012, GIF

Morehshin Allahyari, The Romantic Self-Exiles I, 2012, 5:06 min.

To build a land; an imaginary home. To push the limits of real and unreal, memory and imagination, locality and universality. To put together my most vivid memories on flat planes or 3D cubes. Inside and outside the empty rooms, rooms without bodies, rooms left behind. A reflection and presentation of emotional attachments. Collective and personal.

Jennie Cole, a device of a special type, 2012, 3:32 min.

a device of special type investigates encounters with text in electronic media, in response to Donna Haraway’s assertion that writing is ‘pre-eminently the technology of cyborgs’. Exploring ideas of transhumanist possibility alongside the manipulations of identity suggested by the internet’s corporate ‘like’, the language in this video is at once page-based, screen-based, illuminated and infiltrated by symbols and logos.

Lorna Mills, Garden Variety (series), 2013, GIFs

Tessa Siddle, Hexenhaus, 2010, 2:47 min.

Hexenhaus is a video fragment from a series of work about domestic ritual and relations between humans, houseplants, and animals. Following the collapse of a relationship a failed banishing ritual is performed with my pet houseplants/familiars. An attempt to convert loneliness into solitude results in only more loneliness.

Nicole Killian, Attention, 2013, 2:53 min.

Attention is a video exploring mall madness and meditation.

Gaby Cepeda and Adriana Minoliti, Conspirativas (series), 2013, GIFs

Giselle Zatonyl, The Harm of Coming into Existence, 2014, 1:57 min.

Zatonyl’s 3D rendered video juxtaposes glittery, soft colors with hard lines forming an imaginative factoy-like space that produces unknown, but assuredly delightful things.

Jennifer Chan, Boyfriend 男友 [Nanyou], 2014, 6:27 min.

BOYFRIEND combines YouTube-captured webcam videos with images of dominant East Asian masculinity. Headlined by a Mandarin cover of Justin Bieber’s pop hit Boyfriend, K-pop stars, J-pop stars, Taiwanese diaspora, and Canto-pop icons, are recut against confessional Asian American “dudes” to deliberate the superficial aspects of performing the archetypal romantic straight male partner in Asian culture.

Lorna Mills, Linguine Primavera, 2013, GIF

Lorna Mills, Kitty Fire, 2011, GIF

Raquel Meyers, 2SLEEP1 ❚❚❚❚❚❚❚ 002. MATSAMÖT, 2013, 3:23 min.

Matsamöt is part of 2SLEEP1, a playlist of audiovisual performances in text mode, designed to make you fall asleep. The music interface and the graphics are built up from text symbols (PETSCII). Made by Raquel Meyers and Goto80 using c-64.

Sabrina Ratté, The Land Behind, 2013, 4:56 min.

Traveling on an undefined territory where the illusion of a continuous tracking shot emphasizes an unreachable destination. Through the syncopated editing and multiple transitions, images of the area themselves become traveling entities, creating confusion on the level of the depicted space as much as with the level of its temporality.

Photo caption : Still from Sabrina Ratté’s The Land Behind, 2013, 4:56 min.

 

Whitebox Art Center DCA sponsor

NO EXIT : A Project by Khaled Jarrar

Still from Khaled Jarrar's "I. Soldier"

Whitebox Art Center Presents

NO EXIT
A Project by Khaled Jarrar
On View July 24th – August 9th (extended)

Opening reception at Whitebox Art Center July 24th 5 – 7 pm

Link to images and press packet 

New York City – Whitebox Art Center presents a solo show by Palestinian artist Khaled Jarrar, produced and curated by Myriam Vanneschi.

The Israel Border Police denied artist Khaled Jarrar exit to travel to NYC for this project and his participation in the show Here and Elsewhere at the New Museum. He has since decided to create a new work for this show that deals with his status as well as the current situation in Gaza. This new media piece will be live updated as the situation develops.

Khaled Jarrar describes his experience attempting to leave Palestine on July 23rd, 2014: “Another massacre is taking place in Gaza, and Israel is trying to sell it as a war with Hamas using a deceptive media campaign, turning the oppressed into a villain. It is a fact that Israel is an occupying and apartheid country that controls our land, steals our water and natural resources, depriving us of our basic human rights for the past 66 years. The Israeli recurrent massacres will never end. Telling and sharing our stories and what is happening in Palestine is very essential. We are obliged to take the streets and strongly condemn the killing of the people of Gaza”.

NO EXIT is produced and curated by Myriam Vanneschi and co-produced by Igor Molochevski.
The programs of Whitebox Art Center are made possible in part by the New York City Department of Cultural Affairs.

Press Contact: press@whiteboxny.org

Links to Press:

ArtFCity: Weighing Risks After Last Weeks Cancelled Pro-Palestine Workshop by Whitney Kimball

WNYC RADIO: Art That Reaches Beyond Palestine by Deborah Solomon & Gisele Regatao

Hyperallergic: The Real Life Politics of Palestinian Art in New York by Hrag Vartanian

Artnet News: Pro-Palestine Exhibition Cancelled in NYC by Ben Davis

Hyperallergic: Israel Denies Exit for Palestinian Artist In New Museum Show by Myriam Vanneschi

Le Monde: Khaled Jarrar, artiste et militaire palestinien, n’ira pas à New York by Robin Braquet

Animal New York: Israel Denies Exit Palestinian Artist Bars Attending His New Museum Show by Marina Galperina

ArtNews: No Exit for Palestinian Artist Khaled Jarrar

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Coded After Lovelace

Coded After Lovelace Curated by Faith Holland & Nora O’ Murchú Exhibition on view August 14th – September 2nd 2014 Opening reception Thursday August 14th  | 6-8pm Carla Gannis | Claudia Hart | Olia Lialina | Jillian Mayer | Rosa… Continue reading

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Now You See : New Chinese Video Art From the Collection of Michael I. Jacobs

Whitebox Art Center presents Now You See New Chinese Video Art from the Collection of Dr. Michael I. Jacobs Opening reception Wednesday May 28th | 6-8pm Exhibition on view May 25th – June 19th 2014 Link to event Link to Press… Continue reading

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Dada on Tour

Presented by Zurich Meets New York: A Festival of Swiss Ingenuity in partnership with with Dada 100 Zurich 2016, Cabaret Voltaire in Zurich, and Whitebox Art Center Dada on Tour On view May 18th through 22nd 2014 Opening celebration Sunday May… Continue reading

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HONKY

Black Homer-vertic_lowres

Whitebox Art Center and MAK Gallery present

 

Piotr Skiba’s New York Premiere Performance

Piotr Skiba at Whitebox Art Center

 

On view June 20th through 22nd 2014
Opening reception June 20th | 6-8pm

Link to images

New York City – Piotr Skiba’s New York premiere performance — HONKY — features a series of video installations that make use of elements of the ready-made & the found, combined with sequential performance footage to produce a single, if contextually fragmented, narrative focused on individual displacement. In a series of episodic self-portraiture — as if unpacking the Russian dolls of invented characters — Skiba offers a glimpse of his self-made mythology on the one hand, while on the other he opens a discussion on alterity, and the intense erosion of tolerance affecting the homogenous society of Poland.

The artist, penetrating the fluid boundary between himself and the Other, multiplies the motif of the mask. White mask vs. Black mask. Negative space, the relevant shapes; the “real” subject of conversation is oftentimes created by a deliberate reversal of the figure and ground. A Honky-Polack drowning in the incomprehensible soundscape of New York illuminates the desolation of the anonymous hobo-preacher, whose black silhouette seemed so arbitrarily pinned onto the whiteboard of Skiba’s hometown as to become his shamanic alter ego. Skiba projects persistent feelings of displacement — by setting things in a configuration and an environment where they in their turn displace and alienate, and thereby acquire a new aspect, an unfamiliar affect despite being familiar objects and ordinary people.

The key to the curatorial perspective may lie in the sculpture of Black Homer: an oversized plush “bath slipper” sprayed with matte paint which transforms one of the most influential characters in the history of TV — Homer Simpson — into a powerful totemic presence. Flattened by a black finish, the already dull features of this American suburban stereotype take on a painfully amorphous yet threatening expression. Power found, or power redeemed by blackness on a flip of this particular coin feeding a fascination of a young Polack with hip-hop, or rap culture.

The viewer is thrown into a disturbing carnival of schizophrenia when confronted by either the hoodie of the imaginary black figure from Skiba’s performance, a white high-end latex mask reminiscent of bank robberies, or the impenetrability of a foreign language described by Canetti as an ‘acoustic mask’. By a series of transpositions performed on the artist’s own face, body, or individual limbs used as fragmented images isolated from their original context, Skiba produces the associations of exclusion, loss, and finally, impending madness.

Special thanks to MAK Gallery. For more information on MAK Gallery visit http://www.makgallery.com/ Like MAK Gallery on Facebook

Contact press at press@whiteboxny.org

Link to artist website
Link to more information on Dorota Czerner, Curator
Print

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Now You See

Cheng Ran, The Sorrows of Young Werther, 2009. Video still. Courtesy the artist.

Whitebox Art Center presents

Now You See

New Chinese Video Art from the Collection of Dr. Michael I. Jacobs

Opening reception Wednesday May 28th | 6-8pm
Exhibition on view May 25th – June 19th 2014

Shiyuan Liu | Li Ming | Cheng Ran | Chen Xiaoyuan | Hu Xiaoyuan
Wang Xin | Kan Xuan | Sun Xun | Liang Yue | Jiang Zhi

Link to press release

This exhibition made possible by Paul and Moya Coulson.
Additional funding provided by Robin Kellner Sicher and John Sicher
Lawrence Graev and Anthony Orphanos.

Image courtesy of the artist Cheng Ran

The Armory Show 2014: Armory Arts Week LOWER EAST SIDE DAY

Whitebox Art Center

Whitebox Art Center Hosts
The Armory Show 2014: Armory Arts Week LOWER EAST SIDE DAY
Sunday, March 9th | 11am to 6pm
RSVP to press@whiteboxny.org
Link to The Armory Arts Week

TIME::CODE
Video Art from the Present to the Past into the Future
On view February 23rd to March 28th 2014

Link to exhibition and press release

Oreet Ashery | Dara Birnbaum | Alina and Jeff Bliumis | Robert Boyd
Hans Breder | Tania Candiani | Stefano Cagol | Gordon Cheung | Jaime Davidovich
Braco Dimitrijevic | Adolfo Doring | Dieter Froese | Gary Hill | Ferrán Martín
Mary Mattingly | Jonas Mekas | Yucef Merhi | Igor Molochevski | Iván Navarro
Damian Ontiveros | Dennis Oppenheim | Jean-Gabriel Périot | Larissa Sansour
Arleen Schloss | Carolee Schneemann | Kiki Seror | Michael Snow | S&P Stanikas
Javier Téllez | The Blue Noses | Wojtek Ulrich | Roi Vaara | Helena von Karkkainen
Ai Weiwei | Sislej Xhafa

TIME:CODE is an exhibition of video art selected from Whitebox Art Center’s archive. The title and curatorial framework metaphorically weave technical nomenclature for video and film synchronization and the experimental film directed by Mike Figgis. The former is addressed in the historical arc of the exhibition consisting of important works by early video pioneers, including Michael Snow, Jonas Mekas, Carolee Schneemann, Gary Hill, Dieter Froese, Dara Birnbaum, Dennis Oppenheim and Jaime Davidovich, shown alongside a succeeding generation of video artists including Ai Weiwei, Gordon Cheung, Sislej Xhafa and others who have engaged the medium as innovatively as their predecessors.

Whitebox Art Center

TIME::CODE

Whitebox Art Center

Whitebox Art Center presents

TIME::CODE
Video Art from the Present to the Past into the Future

On view February 23rd to March 28th 2014
Opening Sunday February 23rd | 12-6pm

Link to exhibition and press release

Oreet Ashery | Dara Birnbaum | Alina and Jeff Bliumis | Robert Boyd
Hans Breder | Tania Candiani | Stefano Cagol | Gordon Cheung | Jaime Davidovich
Braco Dimitrijevic | Adolfo Doring | Dieter Froese | Gary Hill | Ferrán Martín
Mary Mattingly | Jonas Mekas | Yucef Merhi | Igor Molochevski | Iván Navarro
Damian Ontiveros | Dennis Oppenheim | Jean-Gabriel Périot | Larissa Sansour
Arleen Schloss | Carolee Schneemann | Kiki Seror | Michael Snow | S&P Stanikas
Javier Téllez | The Blue Noses | Wojtek Ulrich | Roi Vaara | Helena von Karkkainen
Ai Weiwei | Sislej Xhafa

Dieter Meier – YELLO Video Performances

Whitebox Art Center Dieter Meier

Whitebox Art Center at PERFORMA13
presents

Dieter Meier
YELLO Video Performances
Nov.3-21 | Daily 11-6pm

Dieter Meier in conversation with Anthony Haden-Guest

and ‘Tarock N.B.’ (2013) performed by Nin Brudermann
Nov. 21 | 6pm

Closing reception Nov.21 | 6-8pm

New York City – Since the 1960s Dieter Meier is an active film director, performance artist, conceptual artist and musician. Dieter Meier became known to the broader public as part of the influential Electro Pop duo YELLO, partnering with Boris Blank to produce eighteen albums. YELLO‘s 1985 single ‘Oh Yeah’ is featured on sound tracks to popular films and TV shows such as Ferris Bueller’s Day Off, The Secret to My Suce$s, South Park and The Simpsons. YELLO music videos shown during the 1980s emphatically defined early video performance genre on MTV and other dedicated programming.

“As an experimental filmmaker, I used the camera like a brush, creating moving frescoes. The drama was film as film. Using the same technique, 16mm films became animated stage designs, projected on high reflection scotch screens, in front of which YELLO performed.” Dieter Meier 2003

Out of the creation of these experimental films the first ‘music videos’ emerged. “I started to produce these little films for fun, because the music of Boris Blank was incredibly inspiring” says Dieter Meier. “We had quite a few of these YELLO films ready, and when MTV started to broadcast them, this new format was called music video.” As YELLO did not play live, these videos were the only format with which the band could present itself to an audience.

Dieter Meier with his YELLO video performances not only contributed to the stylistic development of video and film, but also created an ‘image’ culture in new media which made his experimental visuals accessible to a broad audience.

YELLO VIDEO PERFORMANCES, curated by Harald Falckenberg and Tony Guerrero, is a selection of music video performances produced from 1981 to 2009.

Dieter Meier in conversation with Anthony Haden-Guest at the closing reception Nov. 21st 6-8pm.

For more information, email press@whiteboxny.org

UNCONSCIOUS MEDIA (Hans Breder) “Experiments in Intermedial Activism”

Unconsciousmedia_WEB_EVENTImage

WBXPerforma13_titleimage_unconsiousmediav4 copy

New York City, Whitebox Art Center presents: Unconscious Media — an experiment in Intermedial Activism; Saturday November 2, from 3 to 5 pm.

Unconscious Media is Intermedia epitomized in performance, video, audience participation, and mobile media feeds. They coalesce in a spectacular philosophical inquest using smartphones, tablets, Google Hangouts and Tweeter to probe cross-pollination between quantum mechanics, the nature of mind, and art-making. This trans-continental web conference — with several feeds coming in from different countries — is a pathbreaking juxtaposition of artists and thinkers whose work are exemplary hybrids of art, technology, philosophy and pure science.

Featuring among others: Hans Breder, early pioneer of media art and founder of the Intermedia and Video Art program at The University of Iowa in 1968; Igor Molochevski, (New York) artist focused on technology integration, physical computing and generative programing; Dr. Gregory L. Matloff, professor of astronomy at CUNY and expert in interstellar propulsion; Raul Marroquin, (Amsterdam) whose work comprises early time-based experiments in video and television; Herman Rapaport, art philosopher and writer; Caridad Botella, (Bogotá) specializing in mobile phone-made cinema; Ellen K. Levy, artist and teacher at SVA completing a PhD for artists involved with science and technology at the Zurich Node of the Planetary Collegium.

Organized by Carlos Cuellar, writer and curator focused on media art, performance, social theory and metaphysics.

The event will be broadcast simultaneously via GOA and Youtube. Google + event notifications will be sent early this week. URL for the Youtube simulcast will be Tweeted and posted on Facebook minutes before broadcast.

PERFORMERS/PANELISTS

Hans Breder, artist and founder of the Intermedia program in 1968 at the University of Iowa. Ellen K. Levy, PhD, artist and Special Advisor on the Arts and Sciences of the Institute for Doctoral Studies in the Visual Arts. Raul Marroquin, artist and pioneer in Video Art and Media Web Conferencing. Herman Rapaport, PhD, philosopher of art, Reynolds Professor of English at Wake Forest University. Igor Molochevski, media artist and manager of Digital Technology at Pratt Institute. Caridad Botella, the Artistic Co-Director of SKLN gallery Bogota. Yolanda Duarte, performance artist, SKLN gallery Bogota. Carlos Cuellar Brown, performance artist, writer, and co-director of Unconscious Media.

Biographies listed below press release.

FOR IMMEDIATE RELEASE

Whitebox Art Center presents a Web Conference Panel Performance: UNCONSCIOUS MEDIA (Experiments in Intermedial Activism)

New York City – The explosive proliferation of digital media has opened new discussions in the understanding of human perception.

Whitebox Art Center stages this fall a unique experiment in intermedial activism when it hosts the web-conference: Unconscious Media. This web-conference initiated by Hans Breder will bring together a diverse group of experts, artists and performers to explore the wider perspective of digital media and quantum activism. Hans Breder has said: “Digital technology allows me to excavate new worlds of microcosmic event horizons. I aim for a dematerialization of content by entering into the microstructure of sound and imagery.”

Unconscious Media will be broadcast live on the world wide web and include four simultaneous city feeds (New York, Amsterdam, Bogota, Copenhagen) on a giant multi-screen on all three venues with: live interactive performances, digital art, discussion segments, audience participation and live social media feeds.

“Digital media has become a major force in society with great potential to play an active role in shaping art and society” contends Juan Puntes, Founding Director of Whitebox Art Center. “For the most part, the transformative dialogues of these intermedial body extensions, happen irrationally in the unconscious.” The artist can become a subliminal activist deploying technological appendages that interface and change our perceptions into surreal domains. “This is a paradigmatic change that disrupts conversations regarding the nature of reality and consciousness,” explained Carlos Cuellar Brown co-director for this web-conference event.

Unconscious Media will feature artists Hans Breder and Raul Marroquin (Pioneer in Video Art and Media Web Conferencing) as well as experts in art and philosophy such as Reynolds Professor of English at Wake Forest University, Herman Rapaport. A remarkable architect (tbc) has been invited as honorable panel member to share his knowledge on human perception and phenomenological space. Special appearances include: Ellen K. Levy, Special Advisor on the Arts and Sciences IDSVA. Caridad Botella, Artistic Director of SKLN gallery Bogota, featuring performance artist Yolanda Duarte, and in studio at the Whitebox performance artist and writer Carlos Cuellar Brown.

Finally audience and attendees will enjoy participation on live cams or by messaging chat board.

To find out more about the Unconscious Media Web Conference, visit www.whiteboxny.org     or write to us at admin@whiteboxny.org

For press materials, contact  press@whiteboxny.org

 

PERFORMERS/PANELISTS BIOGRAPHY

Hans Breder was born in Germany in 1935 and moved to NYC in 1964. His first exhibition in NY consisted of constructivist-aligned objects showcased at the Richard Feigen Gallery in 1967.

Breder created the first “Intermedia and Video Art Program” at the University of Iowa in 1968. This year, the Iowa program is included in the traveling exhibition Anti-Academy.

Breder’s time-based work has been included in several Whitney Biennials (1987, 1989, 1991).  In 2013, he has enjoyed a major retrospective of his media work at Ostwall Museum, Dortmund, Germany. His most recent moving images are presently shown at Whitebox Art Center.

His new paintings and recent video installations are grounded in an exploration of the neuro-opthalmology of image perception — continuing Breder’s 40-year interest in that medium. Working with a neuro-opthalmologist and a scientific imaging specialist, Breder utilizes the interactions of the retina’s color sensitive photoreceptor cone cells (S, M, and L) by converting the cells’ differing spectral sensitivities into RGB print values. The result is paintings whose vibrating color space, where image and afterimage interact, recall the utopian optical constructivism of painters like Wojciech Fangor, as well as the meticulously photoshopped, if blithely neutered, color field photography of younger artists like Cory Arcangel.

Dr. Gregory L. Matloff is emeritus associate and adjunct associate professor of physics at New York City College of Technology (CUNY), having also coordinated the astronomy program at that institution. Dr. Matloff has consulted for the NASA Marshall Space Flight Center; he is a Fellow of the British interplanetary Society, and a Corresponding Member of the International Academy of Astronautics. His pioneering research in solar-sail technology has been utilized by NASA in plans for extra-solar probes and in consideration of technologies to divert Earth-threatening asteroids.

Igor Molochevski is a new media artist, film-maker, and photographer. His work — defined by the destructuralization of visual and conceptual paradigms — is based on the integration of mixed media and technology.  Molochevski’s workflow includes live coding, interactive and generative programing, kinetic sculptures, sound design, and digital imaging.

Raul Marroquin was born Bogotá, Colombia in 1948. As an early pioneer of video art starting in 1968 published Fandangos, an artist magazine; followed by other initiatives like the Kremlin Mole published in Amsterdam during the 1980s. After a series of experiments with national television stations in several European countries, he began to explore the possibilities of cable television in Amsterdam and in 1990 co-authored Time Based Art Television. He currently lectures and conducts workshops at various institutions such as the Center for Advanced Visual Studies at MIT, among others.

Yolanda Duarte is an artist based in Bogotá, Colombia. Her work explores the relationship between nature and technology as it pertains to experiences of the human body through the use of experimental interfaces, software and apps created for mass media.

Caridad Botella is an art historian, film scholar, art and film writer, organizer, freelance lecturer on film theory, and cell phone made cinema based in Bogotá, Colombia. She studied at the University of Amsterdam, there acquiring a Master’s Degree in Film Studies and completing her Master’s thesis in Mobile-Phone Cinema. She’s written on the subject for several publications such as: CINEMASCOPE Independent Film Journal, Off Beat Cinema, and Artpulse.

Ellen K. Levy, a New York-based artist with special expertise in the interface between art and science. Levy has had numerous group and solo exhibitions in the US and abroad at venues such as: the National Academy of Sciences (1985), the 2nd Moscow Biennale in Petroliana (cur. E. Sorokina, 2007), the Boulder Museum of Contemporary Art in Weather Report: Art & Climate Change (cur. L. Lippard, 2007), and Michael Steinberg Fine Art in New York City (2009). She will be teaching a seminar on art and neuroscience this coming spring at The New School.

Herman Rapaport is Professor of English at Wake Forest University. He is a critical theorist who has written on art, television, literature, music, performance, philosophy, and psychoanalysis. Among his books are Heidegger and Derrida, The Theory Mess, and The Literary Theory Toolkit.

Carlos Cuellar Brown was born in Bogotá, Colombia and is a time-based artist in New York City. He is an essayist who has written on media art, performance, social theory and metaphysics. Currently, he is a columnist for Second Sight Magazine and the Fullinsight blog page out of the Netherlands. His essay on Intermedia and Consciousness: Intermedial Being will be published this fall in (A Journal of Performance and Art) PAJ 106 issue.

Hans Breder NUNC STANS

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Whitebox Art Center presents

Hans Breder
NUNC STANS
Time-based paintings

On view Oct. 10th through Nov. 1st 2013
Opening Oct. 10 | 6-9 pm

Whitebox Art Center is pleased to present new time-based paintings by a seminal pioneer of media art, Hans Breder.

In NUNC STANS, Breder’s time-based paintings unfold slowly. Brightly colored patterns evolve, shift, and merge into each other. They change from one moment of perception to the next and cannot be clearly determined. The observer does not succeed in remembering the preceding image because the image itself never solidifies. What comes next cannot be predicted.

Link to opening reception images

Link to full press release

WHERE IS AI WEI WEI?

time_suit_series

Where is Ai Weiwei?

Special Exhibition/Film Screening/Performances and Benefit Art Sale – June 7th 2011

6PM Performances
7PM Symposium-moderated by Jerome A. Cohen
8PM Benefit Art Sale

Link to video : Alfredo Jaar

Link to video : Carol Bogart

Where is Ai Weiwei?
Symposium moderated by Jerome A. Cohen (Human Rights lawyer as well as adviser to the US government, Human Rights Watch and Amnesty International). This symposium included a broad demographic of influential and informed panelists: Chilean-born artist, architect and filmmaker, Alfredo Jaar; art critic and author (recently wrote article on Ai Weiwei in a summer issue of Art in America), Eleanor Heartney; Deputy Executive Director of Human Rights Watch, Carroll Bogert; journalist for The Wall Street Journal and personal acquaintance of Ai Weiwei, Melik Kaylan; Russian artist of collective “Komar and Melamid,” Alexander Melamid; and Chinese art specialist, author and professor Joan L. Cohen.